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Torii Kiyonobu II
Torii Kiyonobu II ( ja, 二代目 鳥居 清信 ''Nidaime Torii Kiyonobu''; active 1725–1760) was a Japanese ukiyo-e artist. He headed the Torii artistic school from possibly as early as 1725, when its founder Torii Kiyonobu I retired. Kiyonobu II was a prolific designer of actor prints, principally in the narrow ''hosoban'' format, of which he produced at least 300 examples for about 20 different publishers. He and Torii Kiyomasu II was a Japanese ''ukiyo-e'' painter and woodblock printmaker of the Torii school, a specialist, like the rest of the Torii artists, in billboards and other images for the promotion of the kabuki theatres. Scholars are unsure as to Kiyomasu II's ... were the main Torii artists of their time and have been rumoured to be the same person. Kiyonobu II's last known work is an actor print dated to 1760. References Works cited * * External links Ukiyo-e Prints by Torii Kiyonobu II* 18th-century Japanese ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Actor Nakamura Tomijūrō I In The Role Of Yaoya Oshichi By Torii Kiyonobu (II)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii School
A is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred. The presence of a ''torii'' at the entrance is usually the simplest way to identify Shinto shrines, and a small ''torii'' icon represents them on Japanese road maps. The first appearance of ''torii'' gates in Japan can be reliably pinpointed to at least the mid-Heian period; they are mentioned in a text written in 922. The oldest existing stone ''torii'' was built in the 12th century and belongs to a Hachiman shrine in Yamagata Prefecture. The oldest existing wooden ''torii'' is a ''ryōbu torii'' (see description below) at Kubō Hachiman Shrine in Yamanashi Prefecture built in 1535. ''Torii'' gates were traditionally made from wood or stone, but today they can be also made of reinforced concrete, copper, stainless steel or other materials. They are usually either unpainted or painted vermilion with a bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu I
Torii Kiyonobu I ( ja, 鳥居 清信; – 22 August 1729) was a Japanese painter and printmaker in the ukiyo-e style, who is renowned for his work on kabuki signboards and related materials. Along with his father Torii Kiyomoto, he is said to have been one of the founders of the Torii school of painting. Known in childhood as Shōbei, young Kiyonobu was the second son of the established Osaka kabuki actor and painter Torii Kiyomoto, born in 1664. He moved, with his father, to Edo (modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of Hishikawa Moronobu (d. 1694), the father of ukiyo-e; Kiyonobu would also have been well-versed, as most major artists were at the time, in the styles of the Kanō and Tosa schools. Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor Prints
''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Most strictly, the term ''yakusha-e'' refers solely to portraits of individual artists (or sometimes pairs, as seen in this work by Sharaku). However, prints of kabuki scenes and of other elements of the world of the theater are very closely related, and were more often than not produced and sold alongside portraits. ''Ukiyo-e'' images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail. Scholars have been able to identify the subj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hosoban
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyomasu II
was a Japanese ''ukiyo-e'' painter and woodblock printmaker of the Torii school, a specialist, like the rest of the Torii artists, in billboards and other images for the promotion of the kabuki theatres. Scholars are unsure as to Kiyomasu II's relation to the original Kiyomasu who came a few decades earlier; they may have been close relations, or master and student, or they may have been the same man. His prints, like many at the time, were made largely using the ''urushi-e'' (lacquer print) and '' benizuri-e'' (rose print) methods; the lines or outlines of the prints themselves would often be in monochrome or a limited number of colors and the rest would be done by hand. Richard Lane writes that the majority of Kiyomasu's work is "quite stereotyped, lacking in vitality or fertility of invention." Lane, Richard (1978). "Images of the Floating World." Old Saybrook, CT: Konecky & Konecky. p74. He writes the same of the works of Torii Kiyonobu II Torii Kiyonobu II ( ja, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Hawaii Press
A university () is an institution of higher (or tertiary) education and research which awards academic degrees in several academic disciplines. Universities typically offer both undergraduate and postgraduate programs. In the United States, the designation is reserved for colleges that have a graduate school. The word ''university'' is derived from the Latin ''universitas magistrorum et scholarium'', which roughly means "community of teachers and scholars". The first universities were created in Europe by Catholic Church monks. The University of Bologna (''Università di Bologna''), founded in 1088, is the first university in the sense of: *Being a high degree-awarding institute. *Having independence from the ecclesiastic schools, although conducted by both clergy and non-clergy. *Using the word ''universitas'' (which was coined at its foundation). *Issuing secular and non-secular degrees: grammar, rhetoric, logic, theology, canon law, notarial law.Hunt Janin: "The university i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Japanese Artists
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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